Showing posts with label Jack Kirby. Show all posts
Showing posts with label Jack Kirby. Show all posts

Wednesday, May 6, 2026

Jack Kirby’s Challengers of the Unknown was just plain bonkers

 DC The New Frontier inspired me to look at the collected Challengers of the Unknown by Jack Kirby. Which would be the first dozen stories of the Challengers.


The basic idea of the Challengers of the Unknown is that four men, all experts in their fields, survive a horrific plane crash virtually unscathed. Deciding that they are all living on borrowed time, they decide to band together to, um, do incredibly risky stuff.


I’m not actually joking when I say that Jack Kirby wrote about suicide pact disguised as an adventure team. That said, it was firmly established that they were altruistic with the first story establishing that, if they made a profit, a chunk of it went to charity.


If the Challengers of the Unknown are remembered for anything these days, it’s as dry-run for the Fantastic Four (which, honestly, doesn’t seem unreasonable) However, after Kirby left DC and the Challengers to change the world as we know it with Stan over at Marvel, DC kept publishing the Challengers for another ten years. Which is hardly what I’d call a flop, although none of the many efforts at reviving it have pulled it off.


I’ll also say that if the Challengers were a beta for the Fantastic Four, the later is a strong improvement on the concept on every level. Each of the Fantastic Four, from the get go, is not only visually distinct but distinct in characterization. You won’t mix up the Thing and the Invisible Woman. Meanwhile, I sometimes struggle to figure out which Challenger is which in some panels. (And the dialogue seems to have the same problem!) While I know they got more distinct as time went on, they initially read pretty much the same guy with different hair.


Having said that, the Kirby issues are still quite a wild ride. Aliens, giant monsters, ancient artifacts, this is Kirby with no brakes.   It’s also a fascinating part of a watershed event in comic publishing. They aren’t quite superheroes. They don’t have super powers or secret identities. They barely have costumes. But they take the idea of the giant monster comics from the fifties, where some random scientist saves the day and make it an ongoing concern. They take the secret agent adventure stories that were getting written at the time and added a new level of the fantastic.


The Challengers of the Unknown aren’t quite Silver Age superheroes but they share so many of the building blocks of what was to come.


I find the Challengers to be an odd mix. On the one hand, I find the characters to be rather bland. And the concept of four white guys who are implicitly very rich (or else how could they be doing all this?) doing crazy, death defying stuff because they feel like it is kind of entitled.


On the other hand, it’s a  pack of madmen who are out to save the world. While not a one of them is normal, they are still ‘regular’ people going way out of their depth by their own choice to make a difference.

Tuesday, February 5, 2019

Mister Miracle explores real life

A good friend of mine recommended Tom King’s Mister Miracle to me, saying it was the best thing he’s read since All Star Superman or Sandman. Certainly strong praise in my eyes.

So, I read it.

I have long been a fan of Mister Miracle. He’s a great character visually and symbolically. He was designed to be an expression of freedom and individuality.

And Tom King took him to a darker place than I think I’ve ever seen the character go. I am not sure if I can honestly say that I had fun but I do think that the series had impact and power and actually had something to say.

Spoilers.

Spoilers.

Spoilers.

The series starts with Scott Free, Mister Miracle, trying to commit suicide, which pretty much tells you what kind of ride you are in for. In fact, one theory is that the rest of the series is a dying hallucination, like the movie Jacob’s Ladder. From there, Scott deals with work, depression, parenthood and marriage. Work means both performing as an escape artist and fighting in a war, by the way.

The series doesn’t have a lot of big, epic, cosmic moments. Instead, it has a lot of little moments that resonate a lot more with real life than most comic book hero stories. In particular, Scott and Barda becoming parents and coping with a newborn rang true to my memories of that experience.

There’s a lot of black humor in Tom King’s Mister Miracle. The scenes where both Orion and Darkseid have a snack from vegetable trays are hysterical. But they don’t subtract from how grounded the series is. They just remind us how life sometimes is funny, even when it’s also horrible. 

The series also addresses Scott Free’s origins more seriously and more deeply than I think they ever have. I am pretty sure that Jack Kirby meant for Scott rising up from the abuse and drugs of Granny Goodness to represent the power of free will. Tom King asks ‘Okay, what kind of damage is that really going to do?’

I have now read and heard different interpretations of what the ending means. Personally, I’m going with that the decision to live a real, grounded life is at least as valid as being some kind of cosmic superhero.

I read that part of the inspiration for the series was how the political events of 2016 started giving Tom King panic attacks. I can see how that might be true and how the series is about working through that. 

Not a fun series. Maybe one of the best uses for Mister Miracle ever.